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Mixtape No. 51: Shannon Lay

Shannon Lay


Shannon Lay is bright and warm, both in her physical appearance and in the energy of her presence, and I am drawn to her like a magpie is to shiny. As soft and melancholy as her music is – wide open spaces sparsely hung with haunting and unusual finger-picked magic – in person, the 27-year-old singer-songwriter is all enthusiastic effervescence. As she tells me her story, one full of happy accidents and flows followed, Lay’s flame-red hair flicks back and forth and her slate blue eyes crinkle along with its beats. She’s rhythmic even in recounting. Though she didn’t pick up an instrument until she was 13, Lay says she always sang. “I remember just running around the playground, singing about everything. I’ve always loved it. I think it’s like a natural occurrence.” Natural occurrences are Lay’s guiding principle it seems. She grew up a surfer babe in Redondo Beach, the seaside town south of LAX, “bikini strings at school,” listening to X and the Velvet Underground, but sought out guitar only after she stopped playing soccer and needed a

Feels’ ‘Post Earth’ finds there is no shame in anger

Well before the 2016 election, the L.A. punk band Feels had a song about the man who would become the 45th president. The title is unprintable here, but if you know the unabbreviated version of “FDT” from rapper YG, you’ll get the idea.

The act wrote it then in response what they saw as the absurdity of Donald Trump’s divisive campaign. But after the election, the band didn’t quite know what to do with it.

“Once he got elected,” singer-guitarist Laena Geronimo said, “we just didn’t want to play that song anymore, because it was too…”

“Too basic,” bassist Amy Allen chimed in, noting “the level of frustration” exceeded the song’s middle-finger tone.

So they wrote another one, “Car,” that tried to take a longer view. “All smiles, DJT’s / war dogs on the street,” they sing. “The land of the free / one nation under fraud.”

It’s the lead track of their second album “Post Earth,” a righteously angry yet uncommonly encouraging record about the world falling apart. Though it’s — very loosely — based around the idea of future billio

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