Joseph guarnerius violin

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I have known these pieces all of my life. I developed the way I wanted to hear them early on. I couldn't help seeking the sound and interpretations I grew up hearing (daily, and played by a great violinist in his early thirties, and then--also daily--a fifth lower on the viola). In the recordings I would later hear as an adult (seeking to replicate the best moments of my childhood experience), Milstein came the closest.

As an adult I always have the violin original (in the Szeryng edition) and the Polo transcription for viola on my stand. I alternate runs of the Sonatas and Partitas with runs of the Bach Cello Suites, and pepper them with runs of the Telemann Fantasies.

Before listening to Augustin Hadelich's 2021 recordingI thought I knew these pieces rather well. But listening to this set, which he plays as a cycle: moving from the darkness of the G minor Sonata, through introspection, periods of questioning, periods of pathos, periods of complexity, and through the deep contours of the soul (the over-soul, if you will), with a trumphant arrival in C major (the third sonata, th

The most comprehensive classical music streaaming service

Chill with exquisite performances from over 32,000 jazz musicians, from legends to contemporary stars

Explore vibrant ethnic and world music from all across the globe

A collection of beautifully told stories by extraordinary storytellers

Indulge watching the best productions of opera, ballet, classical concerts and documentaries

Your go-to site for information about orchestral and chamber music works

A terrific resource for kids to instill a lifelong love of music

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