Gary lehman singer biography
- Gary Lehman is an American operatic tenor, specialising in the Heldentenor repertoire.
- Gary Lehman is an American operatic tenor, specialising in the Heldentenor repertoire.
- Now a forty-seven-year-old singer named Gary Lehman, who recently made successful appearances at the Los Angeles Opera, would have a crack at.
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Gary Lehman
American opera singer
Gary Lehman is an American operatic tenor, specialising in the Heldentenor repertoire.
He initially trained as a baritone at Youngstown State University, continued his studies at Indiana University, and as a member of the Lyric Opera Center for American Artists gave 90 performances with the Lyric Opera of Chicago.[1] In 1995, he sang the lead tenor role of Herman in The Queen of Spades.[2] From the 1990s into the next decade he sang baritone roles such as the Count in The Marriage of Figaro[3] and Ford in Falstaff.[4]
He made his debut in the Heldentenorfach in 2005, replacing Plácido Domingo as the title role in Parsifal for Los Angeles Opera.[5] The following year he sang Samson in Samson et Dalila.[6]
Lehman's next Wagner performances were in the title role in Tannhäuser in March 2007.[7] A year later he made his both his Metropolitan Opera and role debuts in Tristan und Isolde.[8] He repeated the role with the Mariinsky Opera in June 2008 and
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Janice Baird and Gary Lehman, two understudies, made surprise débuts.Illustration by Lara Tomlin
When you think of how many things could go wrong in the course of an average evening of opera—a mighty dungeon wall might totter to one side, a spear-toting extra might step on a diva’s ten-foot train, trombones of fate might bleat out of tune—you have to be a little amazed that the Metropolitan Opera and other leading houses so routinely rise to a level of dull excellence. Opera is a high-risk entertainment in which the shame of failure is heightened by the solemnity of the proceedings: the frozen attitudes of nobility and passion, the towering sets of pseudo-antique character, the expectant hush before the curtain rises. And, as singers are well aware, the hush is never entirely innocent in nature. Any true fan who claims to attend opera solely in the hope of encountering sublime displays of vocal and dramatic mastery is putting you on. Certainly, operagoers cherish those rare occasions when all variables intersect to create the appearance of perfection; but they hold just as de
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Lotte Lehmann
German lyric soprano (1888–1976)
Charlotte "Lotte" Pauline Sophie Lehmann (February 27, 1888 – August 26, 1976) was a German-American[1] dramatic soprano noted for her successful performances with international opera houses, on the recital stage and in teaching.[2]: 5 She gave memorable appearances in the operas of Richard Strauss, Richard Wagner, Ludwig van Beethoven, Puccini, Mozart, and Massenet. The Marschallin in Der Rosenkavalier, Sieglinde in Die Walküre and the title-role in Fidelio are considered her greatest roles. During her long career, Lehmann also made almost five hundred recordings in both opera and art song.[3]
Life and career
Lehmann was born in Perleberg, a middle-sized town about halfway between Hamburg and Berlin, in the Province of Brandenburg, Germany.[4]: 1
She studied, unsuccessfully, at two music schools in Berlin, (where her family had moved), before finding Mathilde Mallinger (Wagner’s first Eva in Die Meistersinger) who within a year a
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