Ernst haas: abstract
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Ernst B. Haas
American political scientist
Ernst Bernard Haas (March 31, 1924 – March 6, 2003)[1][2] was an American political scientist who was known for his contributions to international relations theory.[3][4][5] He was the Robson Professor of Government at the political science department of the University of California, Berkeley.[3]
He was a leading authority on international relations theory,[2] and was the founder of neofunctionalism.
Haas was a fellow of the American Academy of Arts and Sciences, and acted as a consultant to many national and international organizations.[2]
Early life
Haas was born in Frankfurt, Germany, in 1924 to a secular Jewish family.[2] He emigrated to the United States in 1938[3] due to the rise of antisemitism in Germany.
He attended the University of Chicago and then worked in the U.S. Army Military Intelligence Service from 1943 to 1946 where he studied Japanese and Japanese weapons.[6]
Following the war he studied
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Ernst Haas
American photographer
For the political scientist, see Ernst B. Haas. For the Swiss rower, see Ernst Haas (rower).
Ernst Haas | |
|---|---|
Haas in 1986 | |
| Born | (1921-03-02)March 2, 1921 Vienna, Austria |
| Died | September 12, 1986(1986-09-12) (aged 65) New York, New York, United States |
| Nationality | Austrian-American |
| Occupation | Photographer |
| Spouse(s) | Antoinette Wenckheim (1951–1962) Cynthia Buehr Seneque (1962–1965) |
| Children | 2 |
| Awards | Hasselblad Award (1986) |
| Website | www.ernst-haas.com |
Ernst Haas (March 2, 1921 – September 12, 1986) was an Austrian-American photojournalist and color photographer. During his 40-year career Haas trod the line between photojournalism and art photography. In addition to his coverage of events around the globe after World War II Haas was an early innovator in color photography. His images were carried by magazines like Life and Vogue and, in 1962, were the subject of the first single-artist exhibition of color photography at New York's Museum of Modern Art. He served as president of the cooperativ
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Ernst Haas
Photography Gear
Cameras
• Leica M3: Known for its precision and compact design, the Leica M3 was ideal for street photography, allowing Haas to shoot candidly and spontaneously.
• Rolleiflex: This medium format camera provided exceptional image quality and was perfect for Haas’s detailed, high-resolution work.
Lenses
• Summicron 50mm f/2: A versatile lens that offered sharpness and excellent low-light performance, enabling Haas to capture a range of scenes with clarity.
• Elmarit 90mm f/2.8: This telephoto lens allowed Haas to isolate subjects from a distance, creating intimate portraits without intruding on the scene.
Film
• Kodachrome: Renowned for its rich color saturation and fine grain, Kodachrome film was instrumental in Haas’s ability to produce vibrant and dynamic images.
Photography Books
“Ernst Haas: New York in Color, 1952-1962” is a captivating collection that showcases Haas’s early color photography during his time in New York City. Moving from Vienna to New York in 1951, Haas embraced the vibrant energy of the city, c
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